Photo: Paul Kolnik. Kai Harada (原田 海 Harada Kai; born May 10, 1999) is a Japanese competition boulderer.. Harada started climbing in 2009 in Osaka. under construction for twenty-five years and going strong! Get traffic statistics, SEO keyword opportunities, audience insights, and competitive analytics for Harada-sound. Kai drops by to discuss his design for that show and the challenges he faced with roving musicians, additional musicians under the stage, an incredibly nuanced score and often very subtle performances from its stars. November 10, 2018 October 12, 2020 Theatre Trip 0 Comments Drama Desk, Kai Harada, sound design, The Band's Visit, Tony. Live Deisgn chats with sound designer Kai Harada. is one of the newest top-grossing hit productions relying on Meyer Sound systems. Theatrical Sound Design. “Among high-end microphones, DPA is not only reasonably priced, but also provides the most clear and natural tone every time—they are beautiful sounding mics.”, For Marie, Dancing Still, a theatrical production based on dance and ballet, it was crucial for the sound design team at The 5th Avenue Theatre to implement a microphone solution that would stay in place. All the world’s a stage, so draw back the curtain and come meet the magic makers who bring those worlds to life. Current visitors New profile posts Search profile posts. Following the Tony Awards ceremonies in early June, certainly the most celebrated of the current group – recipient of an astonishing ten awards – is the subtly engaging new musical, The Band’s Visit. The Tony Awards for Best Sound Design of a Play and Best Sound Design of a Musical recognize excellence in sound design for Broadway theatre.They were first given in the 2007–2008 season. In 1: the podcast with Sound Designer Kai Harada and host Cory Pattak. Sound designer Kai Harada attends 'Sunday In The Park With George' Broadway opening night at The Hudson Theatre on February 23, 2017 in New York City. The Tony Awards for Best Sound Design of a Play and Best Sound Design of a Musical recognize excellence in sound design for Broadway theatre.They were first given in the 2007–2008 season. Yarden and Ash discuss the design of the Chromolume here. In 2014, the Tony Awards Administration Committee announced that starting with the 2014-2015 season the Tony Awards for Best Sound Design of a Play and of a Musical would be eliminated. We can use them all simultaneously and have a seamless, even sound throughout.”, Additionally, Harada enjoys using DPA’s instrument mic for acoustic bass applications—whether it’s for Marie, Dancing Still, or any other musical production. Million Dollar Quartet (Jan 08, 2011 - Jun 28, 2015) Sound Design by Kai Harada MusicalOriginal. Marie, Dancing Still at Seattle’s 5th Avenue Theatre. “We chose the DPA 6061s knowing they would have a similar sonic signature to the existing 4061 stock, with the added advantage of being smaller in size. Kai Harada has created sound design for the Broadway productions of The Band’s Visit (Tony and Drama Desk Award), Amélie, Sunday in the Park with George, Allegiance, Gigi, Fun Home, On the Town, First Date, Follies (Tony and Drama Desk nominations) and Million Dollar Quartet. The durability and resilience of these mics is something that we really appreciate and enjoy.”. From trying to get noticed in New York to making a splash in regional theatre. Kai Harada. Working from home? “We’ve used the DPA mics for many seasons of productions, and they continue to remain in impeccable shape. You might learn about a designer’s latest inspiration, or how they got started, their most embarrassing moment, or their favorite collaborator. No topic is off limits. Kai Harada has designed the sound for too many productions to easily count. What marketing strategies does Harada-sound use? Kai Harada, Sound Designer at the Broadway Musical The Band’s Visit, has won the Tony Award for Best Sound Design in a Musical, including fully object-based 3D sound courtesy of Astro Spatial Audio. Spotlight on Kai Harada: Sound Designer Edition. Switch to the DIGITAL edition of, Stage Directions • Industry News • March 9, 2020. In the old days, if a director wanted a new sound effect it would take a whole day — Harada had to call studio libraries and wait for them to mail a few CDs to review. November 10, 2018 October 12, 2020 Theatre Trip 0 Comments Drama Desk, Kai Harada, sound design, The Band's Visit, Tony. SOUND BYTE “There’s a reason there aren’t many musicals in-the-round—it’s really difficult to do it well.”—Kai Harada. Kai Harada is a Tony award-winning sound designer from southwestern Connecticut. Kai Harada, winner of the award for Best Sound Design of a Musical for "The Band's Visit," poses in the 72nd Annual Tony Awards Media Room at 3 West Club on June 10, 2018 in New York City. A long-form, uncensored, candid chat with designers of all walks of life talking about their lives in the theatre. Nothing to add, but I was blown away by Kai Harada's work on Fun Home as well. In this interview, he shares some thoughts on formal theatre education, along with some amazing insights for aspiring sound designers. The production team includes set design by Beowulf Boritt, costume design by Jess Goldstein, lighting design by Jason Lyons, sound design by Kai Harada, hair, wig & makeup design by Leah J. Loukas, with orchestrations by Doug Besterman and dance arrangements by Sam Davis. “With other mics, we often had cables falling out of the clips, but the low-profile 6061 mic provided us with ample flexibility and mobility for the dance-based production.”, When Marie, Dancing Still sound designer Kai Harada first arrived at 5th Avenue, he was pleased to find the venue’s inventory of DPA mics—having used a variety of the brand’s products over the years on various Broadway shows. The production stage manager is Timothy R. Semon. Log in We certainly understand times are tough for you, as they are for us. Pattak and Harada talk about all of the challenges of dealing with roving musicians, musicians under the stage, all with an incredibly nuanced score for The Band’s Visit. Sign up here. Features. Characters in this section have very little information to warrant a character page, usually due to lack of relevance and/or backstory. The moments where you sit with your friends and colleagues and discuss what you love about being a designer, but also what drives you mad? Audio Consultant for Hedwig and the Angry Inch on Broadway. July 2, 2018 “ I prefer Meyer Sound loudspeakers because of the linearity across different volume levels and the wide range of sizes and shapes available. Log in “I’m thrilled with the success of the show,” says sound designer Kai … In this interview, he shares some thoughts on formal theatre education, along with some amazing insights for aspiring sound designers. In 2014, the Tony Awards Administration Committee announced that starting with the 2014-2015 season the Tony Awards for Best Sound Design of a Play and of a Musical would be eliminated. Recipient of an astonishing ten Tony awards, including Best Sound Design in a Musical for Sound Designer Kai Harada, The Band’s Visit. In an interview with Music Theatre Today, Kai Harada explains exactly how technology has changed sound design in the past 10 years. Off-Broadway designs include Brooklynite (Vineyard), Love Love Love (Roundabout) Rope & Under the Bridge (Zipper Theatre). What marketing strategies does Harada-sound use? This handbook has been on-line since 1995, and hopefully this improved version will help even more people than the first edition. The Band's Visit (Jun 25, 2019 - Present) Sound Design by Kai Harada MusicalOriginal. Features. November 10, 2018 May 10, 2020 Theatre Trip 0 Comments Drama Desk, Kai Harada, sound design, The Band's Visit, Tony Kai Harada is a Tony award-winning sound designer from southwestern Connecticut. Katz (and The 5th Avenue Theatre staff) and Harada may come from opposite coasts, but one thing remains consistent—their mutual appreciation for DPA Microphones. Get premium, high resolution news photos at Getty Images Jan 14, 2012 - This Pin was discovered by Milena Le Mao. This is a list of minor characters appearing in JoJo's Bizarre Adventure and related media. Harada’s sound design struck a delicate balance between a more ‘traditional’ approach for voices and an unseen (under the stage) orchestra while on-stage instruments and effects are given more specific localization using DSP spatialization and hidden on-stage loudspeakers. Votre aide est la bienvenue ! However, we would like to ask in these difficult times that you consider a small donation to help support our efforts here at Stage Directions as we work to keep our industry up to date by providing you with a continuous stream of current and vital information when it is needed, today more than ever, to keep us all in the theater community connected. Cory and Kai also chat about his musical background, where he thinks the worst seats are in a theatre for sound, why sound designers end up designing mainly plays or musical but rarely both, and how young sound designers can market themselves for what is essentially an invisible art. He received his statuette for Best Sound Design … The worst thing you could do is put something on an actor and have the color transfer to the costume,” explains Katz. Astro Spatial Audio Managing Director, Bjorn van Munster, was quick to offer his congratulations: “We are delighted to have contributed to the success of The Band’s Visit, and now this prestigious Tony Award. Comment faire ? Fun Home may be the most unlikely smash-hit, rave-reviewed Tony-sweeping Broadway musical yet.. Said to be the first Broadway show about a gay woman, Fun Home is a memory play about 42-year-old cartoonist Alison and her chaotic upbringing. Nothing to add, but I was blown away by Kai Harada's work on Fun Home as well. November 10, 2018 May 10, 2020 Theatre Trip 0 Comments Drama Desk, Kai Harada, sound design, The Band's Visit, Tony Kai Harada is a Tony award-winning sound designer from southwestern Connecticut. The … sound design Interviews . Enjoy! welcome to the harada-sound.com website. I'm Kai, and I wrote most of the dreck on this site. In addition, shout out to his work on making the sound design intimate for On the Town--- … About in 1: the podcast – You know those conversations you have at the bar after a long day of tech? Mary Joestar (メアリージョースター Mearī Jōsutā) is the late mother of Jonathan Joestar and wife of George Joestar. He has created sound design for Broadway productions of Head Over Heels, The Band’s Visit, Amélie, Sunday in the Park with George, Allegiance, Gigi, Fun Home, On the Town, First Date, Follies (for which he received Tony and Drama Desk nominations) and Million Dollar Quartet. 2018 à Innsbruck, Autriche. “We are happy to add DPA mics to our inventory whenever we can,” says Karen Katz, head sound engineer for The 5th Avenue Theatre. Please Click Here to Support Stage Directions! Spotlight on Kai Harada: Sound Designer Edition . Additionally, he was nominated for a Drama Desk Award for his work on Fun Home. Kai Harada (Sound Design) Designs include LITTLE DANCER (Kennedy Center); ON THE TOWN (Broadway); FOLLIES (Drama Desk and Tony Award nominations); FUN HOME (Drama Desk nomination); FIRST DATE (Broadway); MILLION DOLLAR QUARTET; ZORRO (Moscow, Atlanta); HINTERM HORIZONT (Berlin); PIRATES OF PENZANCE (Portland Opera); SHE LOVES ME (Oregon Shakespeare Festival); … Kai Harada is a Tony award-winning sound designer from southwestern Connecticut. The Drama Desk Award for Outstanding Sound Design in a Musical is an annual award presented by Drama Desk in recognition of achievements in the theatre among Broadway, Off-Broadway and Off-Off-Broadway productions. Get updates from the company of Allegiance on Broadway. From life on the road to life in a Broadway theatre. November 10, 2018 May 10, 2020 Theatre Trip 0 Comments Drama Desk, Kai Harada, sound design, The Band's Visit, Tony. November 10, 2018 May 10, 2020 Theatre Trip 0 Comments Drama Desk, Kai Harada, sound design, The Band's Visit, Tony. We certainly understand times are tough for you, as they are for us. “The DPA 4099 has become a staple of mine. Casting is by Telsey + Company, Patrick Goodwin, CSA. Here’s a new episode of in 1: the podcast, hosted by Lighting Designer Cory Pattak, as he speaks with Tony Award-winning Sound Designer, Kai Harada. Imagine getting to listen in on those conversations with some of the most fascinating, celebrated, and sought-after theatrical designers working today. Live Design: How did you approach the design for this production and was working in a newly renovated theatre a challenge in any way? Biographie. In this interview, he shares some thoughts on formal theatre education, along with some amazing insights for aspiring sound designers. Assistant Sound Design by Kai Harada; MusicalPuppets SpectacleOriginal. Kai Harada, Tony Awards winner for Best Sound Design in a Musical; 1 of 6. When I need a close-mic solution for strings or percussion, it is my go-to microphone.”, For The 5th Avenue Theatre, a standout feature of DPA’s 6061 lavalier is its ability to be painted and disguised on the actors, whether in their hair or attached to a costume. Palmarès Championnats du monde. Get traffic statistics, SEO keyword opportunities, audience insights, and competitive analytics for Harada-sound. “The theatre was already carrying a large complement of DPA 4061 lavalier microphones as part of its house inventory, but we needed to purchase additional microphones for the production of Marie,” he explains. Here’s a video with scenes from Marie, Still Dancing: The 5th Avenue Theatre’s stock of DPA microphones includes 4061 Omnidirectional Miniature Mics, 4011 Cardioid Microphones, 4099 Instrument Microphones, and the newest addition, the brand’s 6061 Omnidirectional Subminiature Microphones. The production team includes set design by Beowulf Boritt, costume design by Jess Goldstein, lighting design by Jason Lyons, sound design by Kai Harada, hair, wig & makeup design by Leah J. Loukas, with orchestrations by Doug Besterman and dance arrangements by Sam Davis. “The thin diameter of the 6061 lavaliers is impressive and made it easy for us to use a toupee clip to attach the microphone to the performer’s head, knowing it would remain secured throughout the show,” adds Katz. your own Pins on Pinterest Kai Harada, né le 10 mars 1999, est un grimpeur japonais spécialiste du bloc. width="798" height="1200" />A moment from Amélie at Berkeley Rep, with a custom sound package from Masque Sound. Harada’s sound design struck a delicate balance between a more ‘traditional’ approach for voices and an unseen (under the stage) orchestra while on-stage instruments and effects are given more specific localization using DSP spatialization and hidden on-stage loudspeakers. But he is probably best known for his Tony + Drama Desk Award winning sound design for The Band’s Visit. integrated software solution for theatrical sound design: reference pages, sound links, etc. Kai Harada made his LAO debut with Candide in 2018. Sound designer Kai Harada avoids all of that here with sound that is clear and crisp, where even ensemble numbers have distinct lyrics that can clearly be understood (no small feat). We have been proud to bring Stage Directions for free all these many years and we will continue to provide you with complimentary subscriptions during the pandemic. Kai Harada made his LAO debut with Candide in 2018. In 2018 he won the Bouldering Climbing World Championships as an outsider, and was the only person to get four tops in the final. Sign up here. Kai Harada has created sound design for the Broadway productions of The Band’s Visit (Tony and Drama Desk Award), Amélie, Sunday in the Park with George, Allegiance, Gigi, Fun Home, On the Town, First Date, Follies (Tony and Drama Desk nominations) and Million Dollar Quartet. Kai Harada arrives in the media room of the 72nd Annual Tony Awards at the 3 West Club in New York City on June 10, 2018. Get … Spotlight on Kai Harada: Sound Designer Edition . Kai Harada is a Tony award-winning sound designer from southwestern Connecticut. Regional designs include A Legendary Romance, Poster Boy (Williamstown), The Honeymooners (Papermill), Benny and Joon (Old Globe), Beaches (Drury Lane), Little Dancer and First You Dream (Kennedy Center), Zorro (Moscow; Atlanta), Hinterm Horizont (Berlin), Sweeney Todd and Man of La Mancha (Portland Opera) and She Loves Me (Oregon Shakespeare Festival). Kai Harada has created sound design for the Broadway productions of The Band’s Visit (Tony and Drama Desk Award), Amélie, Sunday in the Park with George, Allegiance, Gigi, Fun Home, On the Town, First Date, Follies (Tony and Drama Desk nominations) and Million Dollar Quartet. Pattak and Harada talk about all of the challenges of dealing with roving musicians, musicians under the stage, all with an incredibly nuanced score for. Cette section est vide, insuffisamment détaillée ou incomplète. Education: Yale University. In this interview, he shares some thoughts on formal theatre education, along with some amazing insights for aspiring sound designers. Switch to the DIGITAL edition of, Cory Pattak • Podcasts • January 19, 2019, Here’s a new episode of in 1: the podcast, hosted by Lighting Designer Cory Pattak, as he speaks with Tony Award-winning Sound Designer, Kai Harada. That is what in 1: the podcast strives to be. Kai Harada (Sound Design) Designs include LITTLE DANCER (Kennedy Center); ON THE TOWN (Broadway); FOLLIES (Drama Desk and Tony Award nominations); FUN HOME (Drama Desk nomination); FIRST DATE (Broadway); MILLION DOLLAR QUARTET; ZORRO (Moscow, Atlanta); HINTERM HORIZONT (Berlin); PIRATES OF PENZANCE (Portland Opera); SHE LOVES ME (Oregon Shakespeare Festival); … Further information from DPA Microphones: www.dpamicrophones.com, Working from home? The sonic consistency between these mics is great; I might even say that I like the quality of the 6061s even better than the 4061s. Sound Design Share this. Kai studied at Yale University. Speaking of subtle, he also lets us in on secrets from his intimate design in the round for Fun Home and discusses how he made the Hudson Theatre rock for Head Over Heels. Discover (and save!) It is a strange and trying time for all of us in the midst of the COVID-19 pandemic. The Latest News and Gear in Your Inbox - Sign Up Today. Casting is by Telsey + Company, Patrick Goodwin, CSA. Sound Design by Kai Harada Projection Design by Alex Basco Koch October 2018 Gorgeous lighting design by Cory Pattak enhances the production with increasingly spectral, other-worldly effects. Never shown in person in the series, the only thing known about her story is that she accompanied her husband during a trip to London and died protecting her baby when her carriage had an accident and fell into a ravine. Get premium, high resolution news photos at Getty Images The Seattle-based theatre has found that dependability with DPA Microphones, which were recently deployed for the venue’s production of Marie, Dancing Still. Kai Harada is one of the world’s most respected sound designers, having previously been nominated for a Tony in 2012 for Follies. Kai Harada. In addition, shout out to his work on making the sound design intimate for On the Town--- … When Marie, Dancing Still sound designer Kai Harada first arrived at 5 th Avenue, he was pleased to find the venue’s inventory of DPA mics—having used a variety of the brand’s products over the years on various Broadway shows. We have been proud to bring Stage Directions for free all these many years and we will continue to provide you with complimentary subscriptions during the pandemic. Audio Consultant for Hedwig and the Angry Inch on Broadway. Theatre without scenery is "modern;" theatre without lighting is radio; but theatre without intelligible sound— whether produced from a human being, a musical instrument, or coming out of a loudspeaker— is mime... and nobody likes mimes. He was the audio consultant for the recent Broadway revival of Hedwig and the Angry Inch. Hosted by real life (we think) designer Cory Pattak, in 1: the podcast offers unprecedented access into the world of theatrical design, direct from the industry’s most interesting movers and shakers. Associate design credits to Tony Meola include A Christmas Carol, Disney’s Der Glöckner von Notre Dame, Kiss Me, Kate, and Wicked. sound design Interviews . The Latest News and Gear in Your Inbox - Sign Up Today. Sound designer Kai Harada has won a Tony Award for Best Sound Design in a Musical, including fully object-based 3D sound courtesy of Astro Spatial Audio, for the Broadway musical The Band's Visit. I’ve been using them for many years and I know what to expect when I turn them on. Welcome to Kai's new and improved Sound Handbook. Put on your best pair of headphones and spend the next 2 hours listening to the wisdom of one of the best! It is a strange and trying time for all of us in the midst of the COVID-19 pandemic. Current visitors New profile posts Search profile posts. Recipient of an astonishing ten Tony awards, including Best Sound Design in a Musical for Sound Designer Kai Harada, The Band’s Visit. Please Click Here to Support Stage Directions! Kai Harada (Sound Design) Designs include LITTLE DANCER (Kennedy Center); ON THE TOWN (Broadway); FOLLIES (Drama Desk and Tony Award nominations); FUN HOME (Drama Desk nomination); FIRST DATE (Broadway); MILLION DOLLAR QUARTET; ZORRO (Moscow, Atlanta); HINTERM HORIZONT (Berlin); PIRATES OF PENZANCE (Portland Opera); SHE LOVES ME (Oregon Shakespeare Festival); … Kai Harada, winner of the award for Best Sound Design of a Musical for "The Band's Visit," poses in the 72nd Annual Tony Awards Media Room at 3 West Club on June 10, 2018 in New York City. Associate design credits to Tony Meola include A Christmas Carol, Disney’s Der Glöckner von Notre Dame, Kiss Me, Kate, and Wicked. The Book of Joseph. Fun Home (Oct 02, 2016 - Dec 03, 2017) Sound Design by Kai Harada MusicalOriginal. “The paint took and held really well throughout the shows, and that’s a big deal. When Marie, Dancing Still sound designer Kai Harada first arrived at 5th Avenue, he was pleased to find the venue’s inventory of DPA mics—having used a variety of the brand’s products over the years on various Broadway shows. “Working with the other designers and the crew, we found some great homes for our added speakers to increase coverage in the 600-seat Roda Theatre,” adds Harada. The 5th Avenue team also plans to expand its inventory in the future as DPA releases new products, ensuring that the theatre will always have the latest and greatest DPA solutions in their arsenal of microphones. For the 5th Avenue Theatre, a venue that seats almost 2,200 patrons, having a fully stocked arsenal of microphones to rely on for its theatrical productions is of utmost importance. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. The production stage manager is Timothy R. Semon. Sound Design by Kai Harada Projection Design by Alex Basco Koch October 2018 Gorgeous lighting design by Cory Pattak enhances the production with increasingly spectral, other-worldly effects.-DC Metro Theatre Arts scroll down for additional photos. Education: Yale University. Sound Design Share this. However, we would like to ask in these difficult times that you consider a small donation to help support our efforts here at Stage Directions as we work to keep our industry up to date by providing you with a continuous stream of current and vital information when it is needed, today more than ever, to keep us all in the theater community connected. He received his statuette for Best Sound Design … is one of the newest top-grossing hit productions relying on Meyer Sound systems. When Marie, Dancing Still sound designer Kai Harada first arrived at 5 th Avenue, he was pleased to find the venue’s inventory of DPA mics—having used a variety of the brand’s products over the years on various Broadway shows. The … Read about the set design, lighting design, costume design, and projection design. Harada’s sound design included supplemental loudspeakers for the existing house system. He started competition climbing in 2015, placing in the Youth A Bouldering Championships and the Junior Asian Championships.. “I especially love the way the 4099 Instrument Mic sounds on acoustic bass, which really helped to create a lovely soundtrack for Marie, Dancing Still,” he adds, noting that the 4099 Instrument Mic was also used on violins throughout the production. Let's not forget that the point of any dramatic work is to tell a story. Kai Harada has created sound design for the Broadway productions of The Band’s Visit (Tony and Drama Desk Award), Amélie, Sunday in the Park with George, Allegiance, Gigi, Fun Home, On the Town, First Date, Follies (Tony and Drama Desk nominations) and Million Dollar Quartet. Kai Harada arrives in the media room of the 72nd Annual Tony Awards at the 3 West Club in New York City on June 10, 2018. I'm still finishing some sections (those are the non-links below), but I hope to have those finished relatively soon. Spotlight on Kai Harada: Sound Designer Edition. [/caption]Masque Sound got French by way of Berkeley, Calif., supplying sound equipment for Berkeley Repertory Theatre’s production of Amélie , a new musical based on the movie of the same name. If you’ve seen The Band’s Visit you know how exquisite that show sounds, but while we couldn’t get the entire band to visit us at in 1, we have the man who makes that music shimmer, it’s Tony Award-winning Sound Designer Kai Harada! Kai Harada is a Tony award-winning sound designer from southwestern Connecticut. Get updates from the company of Allegiance on Broadway. You’ll never know what to expect from each episode. The category was created in the 2010 ceremony when the Drama Desk Award for Outstanding Sound Design was split in two — Sound Design in a Musical, and Sound Design in a Play. He has created sound design for Broadway productions of Head Over Heels, The Band’s Visit, Amélie, Sunday in the Park with George, Allegiance, Gigi, Fun Home, On the Town, First Date, Follies (for which he received Tony and Drama Desk nominations) and Million Dollar Quartet.
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